More recently, Sandy headed the alternative label, 415 Records, whose roster included Romeo Void, Translator, Wire Train, Red Rockers, Love Club, Manitoba’s Wild Kingdom, etc. He acted as executive producer on much of the later period 415 output. He has also spent time as manager of Black Sabbath, BOC, The Dictators and Romeo Void. Sandy was able to squeeze in production for the second (wonderful) Space Team Electra album, The Intergalactic Torch Song and West, Gould & Fitzgerald‘s “So What Does It All Mean?” from the A Walk To Remember soundtrack between his various internet consulting gigs.
Sandy was one of the founders of eMusic, a San Francisco based multimedia/on-line music-based company that focused on “The Convergence of Music and Technology” (to borrow a title from the lecture Sandy gave to the Stanford Music Department). Sandy is considered one of the leading experts on the intersection of multimedia and music. He conducted a panel on the future of audio in the 21st Century at the Mill Valley Film Festival, and has lectured at the University of California at Monterey Film School. He has been profiled by publications/broadcasts as diverse as The Wall Street Journal, Mondo 2000, Album Network, Mix, National Public Radio and KIRO-TV (the CBS affiliate in Seattle).
Sandy is currently the Schulich distinguished chair at McGill University in Montreal. His courses span the Music, Law, Management and English departments including “The Philosophy and Esthetics of Record Production.” Besides his duties as a professor, he was recently appointed to the National Recording Preservation Board of the Library of Congress, creating policies to be implemented for the preservation and restoration of audio works (both musical and spoken).
He owns and operates Alpha & Omega, a 72 track analog recording facility (featuring a Trident 52 channel console plus an extensive ProTools recording/editing/mixing digital system) located in San Rafael, just across the Golden Gate Bridge.